I will not eat my time tree

does it make you angry
that the mirror’s in the present
does it make you hungry
like a spatially laden pheasant?

I see cardinal directions
but only for this second
In only three dimensions
as my dark brain reckoned

I smash the mirror with my fist
The shards of silver bleed
I smash the wristwatch with a hammer
Then plant it with a seed

I watch the tree grow stronger
Its roots dig in my belly
I feed the time-tree daily
As my bones turn to jelly

The fruits are yellow, thick-skinned
They grow too far to reach
My head is buried in the dirt
The tree’s become a leech

I will not eat my time-fruits
I will not taste their juice
Instead I lay here in the dirt
and let my spirit loose

I am nature’s daughter

I walk by a pool of water
the sun filtering yellow through
the water skippers dancing
the sky a heated blue.

The algae air clings clothing
the sweat runs down my chest
I walk by a pool of water
but I cannot find rest.

I cannot see my iris
in the glassy surface edge
I cannot see my face or hair
or the beads hung on the hedge

I do not know my reason
I do not know the birds
that sing on heavy branches
I do not know their words.

All humans are so tiny
such an interlocking mesh
how many hands it took to build
how many pounds of flesh

No one walks beside me
No one across the lake
No one across the ocean
Am I here by mistake?

The grass is filled with tick shells
the mud smells like a sewer
I cannot see my reflection
Or the clouds upon my skewer

I sit on a rotting tree stump
And stare out at the water
A mosquito welts my arm skin
I am truly nature’s daughter.

macrame

Why do we trap god in a pit
Or pickle god in a glass?
Why do we think of GOD as a man
In paintings, in print, in brass? 
GOD is not human, she said to me,
god is the spaces between
God is the gravity well, the bee,
GoD is electric: the Queen.
If you scraped all the good
from human hearts
And somehow measured its sheen
that’d be the shadow, a whisper of god
just flameless gasoline.
God is remove your sandals NOW
And slap those feet on the ground
The creation of flesh, who works the plow
Struck dumb, ambered in sound.
The sum of every genius thought
The joy of every glowing heart
The power of every pent-up watt
The counter and the counterpart.
You burn your sandals now and pray
Let god unknot the macramé.

mariana to everest

How can I take in Mariana to Everest
And battle Time, when she thinks she’s the cleverest?

Here’s a curled-up baby, damp and crying
Blinking with its black eyes at the room
Every eyelash, fingernail complying
With the human blueprint from the womb. 
Here’s a wrinkled shell, her soul still beating
Even after AIDS has gnawed her flesh
How to live when all of life is fleeting?
How to age, when birth appears so fresh?

How to love, when lovers die tomorrow?
How to rage, when justice walks away?
How to grieve when tears don’t lessen sorrow?
How to see the weave within the fray? 

We must follow creature intuition
What humans did before we managed fire
We must understand another being’s condition
And do our best to give what they require. 

We serve our human sisters and our brothers
We cannot always choose their paths through mortal night
Touched by the ancient calling: healing others
It’s enough to lend our steady beams of light.

[Featured Image by Salim Fadhley]

mother

I spread myself out and melt into the grass
Becoming the blades of translucent sun-glass
I am the bubbling under the stream
The salmon that fall through acrylic and steam
I melt underneath and become beetle shells
The nettles the splinters the crunch and the wells
The hollow and echo and ghost through the trees
Breathing the waters and rustling the leaves
I am the sky now, the moon-clouded sun
The breath in your lungs and the drum of your run
I am the skin holding blood to your chest
I am the dewdrops on pinecones undressed
I am the rock rolling up silver hills
To generate forest from butterfly frills.
I am the scraping of birdsong at eve
The kisses of lava on saltwater frieze
I am the washing of particled stones
The salt-weed and sea moss and ocean-bleached bones
I am the jungle infusing exploding
I am the tundra diffusing unloading 
I am the depths of sulfurous sea valleys
Crabs spidering through my Riftia alleys
I am the heights of the quartz-weighted peak
Lighter than air where peregrines seek
In one slip of time, with a reach of my toes
A stretch of my hips and scuff of my nose
I reach out to space with the tips of my hair –
Come talk with me, child; you’re under my care.

[Featured Image: Among the Sierra Nevada Mountains by Albert Bierstadt]

are we a pestilence or are we angels

Are we a pestilence or are we angels
Did we come here to destroy, or save?
We, the creatures who defined the angles
Between the stars, and sailed the ocean wave
Are we much mightier than the fruit flies?
Than all the creatures free in forest shade? 
Are we constructing such elaborate murals
That we can’t see our own reflections fade?
We came from dust, to dust we shall return
Let’s not drag all other life inside our urn.

broken thing

I am a broken thing now
All of my feathers are frayed
I hold a glass in my claws
And shiver under its weight.
The poison that heavied my soul
Was a slow, thick drink.
I was baptized in human tears
Over a hospital sink.
Or maybe I was drowned
with human blood and hair
I can’t distinguish exactly
(but it smelled like hospital air.)
I cannot watch sad films
See the actors’ broken eyes
Because my broken back
Hauls the weight of their actual cries.
The fiction is no longer fiction
It’s wrenched itself off the page
But real fiction’s worse than fiction
Since nobody filters the rage.
Nobody gives your hero
The extra chance they deserve.
They beat your hero with a bat
And crush them like a nerve.
They burn your hero with matches
And go out to watch the game
You document the wounds and regrets
And remember your hero’s name.

I sailed a rowboat to the edge of the world

I sailed a rowboat to the edge of the world, where the atmosphere meets open space
Launched straight up, as the smoke unfurled, as the waves grew small and the clouds uncurled
I found myself in that place.

Then at the cusp where the sunlight streamed and the edge of the world goldenly gleamed 
and my breath was frozen in the still night air, 
I lifted my arms, tossed back my hair
And my boat tipped forward past invisible edges, like a thousand needles on a thousand ledges 
and I trimmed the air like I sculpted hedges

For a single moment I was one of the stars, and the sunlight pierced my eyes and my scars, 
and I caught my breath in the breathless void, and the sun slipped behind the edge, destroyed.

Then I shot towards the ground with incredible speed, as though I were riding a flaming steed, with the wind in my hair and my hair on fire and each muscle stretched and tuned as a wire, 
and I charged the earth as the earth stood still, racing the ice down an endless hill, 
and the coastline grew sharp and I thought I heard waves, 
and the dead raised their eyes from their ancient graves, 
as I roared and I sliced and I bled and I raved,
And i burst to the ground with my head unshaved

As I lay on the grass looking up at space
And the breeze brushed the years and the tears from my face 
I sank back deeply and felt each blade
Like a mammoth's fur, like the earth had frayed
And I heard an owl weeping in the night
And gravity held me and pressed me tight
I remembered and sung what I'd heard before
As I seeped down to sleep inside the core.

[Featured Image: High-altitude balloon by Noah Klugman; modified from source]

who wields the hand behind the whitened blade

Who wields the hand behind the whitened blade
that carves the edges out around the clouds
to let out light, the fire encircling shade
a fracture spewing sunbeams over jade?

And all those carvings, where on land are they?
Perhaps the carver catches them before they fall
or maybe they dissolve in stormy ray
and crash as crystal rains, a broken spray.

Jade forests turn to gold beneath the sun
and honey milk flows over endless crowds
illuminating sweat of those who run
and melting through the ice of day. It’s done. 

Why should the preface of the night be flames?
The sun’s farewell, before she dons her shrouds
and tucks behind the mountain range’s frames
the final shriek from she who no one tames.

Is it because each time she’s dying new?
To rise again through song of dawning birds?
Perhaps this wild display is her tattoo
upon the world before she’s gone from view.

Perhaps she never knows if she’ll return
Perhaps she wields the knife herself, an art
She makes the color blood, in patterned fern
She burns the heavens with her spirit’s churn

The question that these paintings all beget
is not the sunset then, but shy regret
that as a mortal, I may be offset
by night that’s bound to end my own vignette. 

When that day comes, I’ll wait, a parapet
and hear the air films moving through the trees
I’ll see upon the ground my silhouette
inked by my friend, her knife wrapped in a net.
The sky is calm; she writes my epithet
a blue with hues of starry alphabet
Tonight I meet her, and together we’ll forget
the reason why we feared to be reset.

[Featured Image: ceiling of Dilwara Jain temple]

a millipede waves on the sidewalk dust

A millipede waves on the sidewalk dust
ruby-backed scales with a touch of rust
deliberate marching straight towards the street
a road not perceived by the undulant feet.
I pluck it up and it curls to protest
blocking me out as it hides, distressed
I place it away on safe grass to rest
knowing for sure it will ne’er be impressed
that I saved it from death
that I did what was best.
I try not to view the crawler as flawed;
I am probably just like that creature to God.  

[Featured Image: Aglandjia, Nicosia, Cyprus]